SHORT BATCH DESIGNATION: CH ID #AFY7793 TITLE: Altenglische Dichtungen des MS. Harl. 2253 ED. Karl Böddeker PUBLISHED: Berlin, 1878 SPECIAL INSTRUCTIONS En-face? NO. KEY AND CODE THE FOLLOWING PAGES: 1. Title page (front only; back is blank) IMAGE 00000003.tif 2. Main text = pp. 95-300 = IMAGES 00000113.tif-00000318.tif STRUCTURE Note: the table of contents (Inhalt) on pp. [XIV]-XVI is a useful guide to the structure of this book. <FRONT> contains only the title page. <BODY> contains the main text, divided into eight main parts, each of which will have its own <DIV1>. <DIV1>s each contain one of the eight major parts: 1. Political poems (Politische Lieder) pp. 95-143. <DIV1 TYPE="part"> 2. Secular poems (Weltliche Lieder) pp. 144-179 <DIV1 TYPE="part"> 3. Spiritual poems (Geistliche Lieder) pp. 180-232 <DIV1 TYPE="part"> 4. Dialog between Body and Soul, pp. 233-243. <DIV1 TYPE="poem"> 5. Maximion, pp. 244-253. <DIV1 TYPE="poem"> 6. Marina, pp. 254-263. <DIV1 TYPE="poem"> 7. Harrowing of Hell, pp. 264-284. <DIV1 TYPE="play"> 8. Proverbs of Hendyng, pp. 285-300. <DIV1 TYPE="poem"> <DIV2>s with TYPE="poem" are used in the first three parts to record the individual poems (each of which is numbered with roman numerals). <LG>s are used for all stanzas except those in item 7, none (?) of which is numbered. <SP> ("speech") is used instead of <LG> in item 7 (pp. 264-284). The individual lines of verse are tagged as usual with <L>, but the stanza headings are tagged as <SPEAKER> instead of <HEAD>. Like this (p. 281): <L>bring me to heuene vp wiþ þe.</L> </SP> <SP> <SPEAKER>Dominus.</SPEAKER> <L>Habraham, ych wot ful wel</L> <L N="190">whet þou seidest, eueruch del.</L> <L>þat mi leue moder wes</L> <L>boren & shaped of þi fleyhs.</L> </SP> <SP> <SPEAKER>Dauid.</SPEAKER> <L>Louerd, icham dauid, þe kyng,</L> <L>þat bore was of þyn of spring;</L> <L N="195">do me ase þou behete</L> ... MILESTONES Folio references appear only at the head of each poem, in small type. These are not proper milestones, but record them with the <MILESTONE> tag anyway, inserted at the beginning of the first line of verse, and ignoring any "ff." that indicates that the poem takes up more than one side of a folio. Like this: fol. 125, a ff. = <L N="1"><MILESTONE UNIT="folio" N="125a"> fol. 82, a. = <L N="1"><MILESTONE UNIT="folio" N="82a"> fol. 81, b. = <L N="1"><MILESTONE UNIT="folio" N="81b"> fol. 81, a. = <L N="1"><MILESTONE UNIT="folio" N="81a"> NOTES All of the items begin with introductions, some quite long. Treat these as long notes <NOTE PLACE="head">. There are some footnotes attached to these long notes, keyed to the text by superscripted reference numbers. Treat these as notes within notes: <NOTE PLACE="foot">. Most of the footnotes belong to the verse texts and are keyed to them by line number. Insert these at the end of the appropriate line, as usual, with the indication of line number removed. Footnotes keyed to a range of lines should be inserted at the end of the last line indicated, with the line numbers retained. As usual. Ranges of lines may be indicated either with an n-dash ("23-36") or by a comma ("80,81"). Notes are separated from each other by m-dashes, which should not be recorded, e.g.: 55. of thoghtes. -- 56. vnmyht, ms. vnmytht. -- 71. fleysh lust ... recorded as: <NOTE PLACE="foot">of thoughtes.</NOTE> [placed at end of line 55] <NOTE PLACE="foot">vnmyht, ms. vnmytht.</NOTE> [placed at end of line 56] <NOTE PLACE="foot">fleysh lust ... </NOTE> [placed at end of line 71] CHARACTERS This edition uses reversed angular quotation marks (»guillemots«); substitute ordinary double quotes for both opening and closing quots. (").